0
Skip to Content
Liquid Audio
Liquid Audio
About
News
Contact
The LP12 Lounge
Support & Services
LP12s for sale
LP12 Power Supplies
Accessories
Cables - AudioQuest
Cables - Audio Note
Cables - Montaudio
Isolation - Audite Acoustics Platforms
Isolation - Stack Audio Auva Isolation Feet
Turntable Accessories - AudioQuest Anti-Static Brush
Turntable Accessories - Stack Audio Serene Platter Mat
Turntable Accessories - Stack Audio Serene Stabiliser
Amplification
Audio Note
Cyrus
Pro-ject
Rotel
WiiM
Phonostages/SUTs - Audio Note
Phonostages/SUTs - Pro-ject
CD Players, Streamers, Transports and DACs
Audio Note
Cyrus
Pro-ject
Rotel
CD Transports - Audio Note
DACs - Audio Note
Streamers - Wiim
Steamers - Cyrus
Loudspeakers
Audio Note
Fyne Audio
Kerr Acoustic
Pro-ject
Turntables & Components
Turntables - Audio Note
Turntables - Origin Live
Turntables - Pro-ject
Cartridges - MM
Cartridges - MC >£1000
Cartridges - MC >£4000
Cartridges - MC >£8000
Tonearms - Audio Note
Tonearms - Audio Origami
Tonearms - Origin Live
Furniture
Solidsteel Hi-Fi Stands
Pre-loved Hi-Fi
Vinyl
Liquid Audio
Liquid Audio
About
News
Contact
The LP12 Lounge
Support & Services
LP12s for sale
LP12 Power Supplies
Accessories
Cables - AudioQuest
Cables - Audio Note
Cables - Montaudio
Isolation - Audite Acoustics Platforms
Isolation - Stack Audio Auva Isolation Feet
Turntable Accessories - AudioQuest Anti-Static Brush
Turntable Accessories - Stack Audio Serene Platter Mat
Turntable Accessories - Stack Audio Serene Stabiliser
Amplification
Audio Note
Cyrus
Pro-ject
Rotel
WiiM
Phonostages/SUTs - Audio Note
Phonostages/SUTs - Pro-ject
CD Players, Streamers, Transports and DACs
Audio Note
Cyrus
Pro-ject
Rotel
CD Transports - Audio Note
DACs - Audio Note
Streamers - Wiim
Steamers - Cyrus
Loudspeakers
Audio Note
Fyne Audio
Kerr Acoustic
Pro-ject
Turntables & Components
Turntables - Audio Note
Turntables - Origin Live
Turntables - Pro-ject
Cartridges - MM
Cartridges - MC >£1000
Cartridges - MC >£4000
Cartridges - MC >£8000
Tonearms - Audio Note
Tonearms - Audio Origami
Tonearms - Origin Live
Furniture
Solidsteel Hi-Fi Stands
Pre-loved Hi-Fi
Vinyl
About
News
Contact
Folder: The LP12 Lounge
Back
Support & Services
LP12s for sale
LP12 Power Supplies
Folder: Accessories
Back
Cables - AudioQuest
Cables - Audio Note
Cables - Montaudio
Isolation - Audite Acoustics Platforms
Isolation - Stack Audio Auva Isolation Feet
Turntable Accessories - AudioQuest Anti-Static Brush
Turntable Accessories - Stack Audio Serene Platter Mat
Turntable Accessories - Stack Audio Serene Stabiliser
Folder: Amplification
Back
Audio Note
Cyrus
Pro-ject
Rotel
WiiM
Phonostages/SUTs - Audio Note
Phonostages/SUTs - Pro-ject
Folder: CD Players, Streamers, Transports and DACs
Back
Audio Note
Cyrus
Pro-ject
Rotel
CD Transports - Audio Note
DACs - Audio Note
Streamers - Wiim
Steamers - Cyrus
Folder: Loudspeakers
Back
Audio Note
Fyne Audio
Kerr Acoustic
Pro-ject
Folder: Turntables & Components
Back
Turntables - Audio Note
Turntables - Origin Live
Turntables - Pro-ject
Cartridges - MM
Cartridges - MC >£1000
Cartridges - MC >£4000
Cartridges - MC >£8000
Tonearms - Audio Note
Tonearms - Audio Origami
Tonearms - Origin Live
Folder: Furniture
Back
Solidsteel Hi-Fi Stands
Pre-loved Hi-Fi
Vinyl
DACs - Audio Note DAC 1.1x
DAC1x v1 front.jpg Image 1 of 2
DAC1x v1 front.jpg
DAC1 rear V1.jpg Image 2 of 2
DAC1 rear V1.jpg
DAC1x v1 front.jpg
DAC1 rear V1.jpg

DAC 1.1x

£2,155.00

The Audio Note (UK) DAC1.1x/II Digital to Analogue converter has been specifically engineered for sonic performance rather than technical specification, and fulfils all Audio Note (UK) Level 1 criteria:  

Extensive research into the fundamental properties of the data stream itself have shown beyond doubt that, regardless of the theoretical advantages of the signal manipulation employed in our competitors products, such as higher oversampling, noise shaping, re-clocking or jitter reduction, these corrective measures greatly interfere with the critical time domain requirements of the signal.

 

Music is a time continuum from start to end which when broken is irreparably damaged, and no amount of clever manipulation can restore it to its original time / frequency / amplitude duration or relationship, regardless of what the theorists may tell you. 

As a result, we have developed a way of excluding or bypassing all these corrective measures, to allow the conversion from digital to analogue to be done without any manipulation whatsoever. All we do is to reformat the data stream to allow the converter chip to be able to interpolate the incoming information correctly.

 

In other words, the Audio Note (UK) DAC1.1x has no oversampling, no jitter reduction, no noise shaping and no re-clocking. Having removed all of the digital filtering that is required for oversampling, all filtering is done in the analogue domain where it is easier to retain good, wide band phase-frequency and dynamically coherent behaviour. It uses the highest grade Analogue Devices AD1865, 18Bit stereo converter chip solely because we found it to be the best sounding available (yes, even better than the 20Bit versions!).

​

The DAC1.1x/II Signature also features an abundance of upgraded components in comparison with the standard edition, including our own Audio Note (UK) Tantalum resistors in key areas.

​

Quantity:
Add To Cart

The Audio Note (UK) DAC1.1x/II Digital to Analogue converter has been specifically engineered for sonic performance rather than technical specification, and fulfils all Audio Note (UK) Level 1 criteria:  

Extensive research into the fundamental properties of the data stream itself have shown beyond doubt that, regardless of the theoretical advantages of the signal manipulation employed in our competitors products, such as higher oversampling, noise shaping, re-clocking or jitter reduction, these corrective measures greatly interfere with the critical time domain requirements of the signal.

 

Music is a time continuum from start to end which when broken is irreparably damaged, and no amount of clever manipulation can restore it to its original time / frequency / amplitude duration or relationship, regardless of what the theorists may tell you. 

As a result, we have developed a way of excluding or bypassing all these corrective measures, to allow the conversion from digital to analogue to be done without any manipulation whatsoever. All we do is to reformat the data stream to allow the converter chip to be able to interpolate the incoming information correctly.

 

In other words, the Audio Note (UK) DAC1.1x has no oversampling, no jitter reduction, no noise shaping and no re-clocking. Having removed all of the digital filtering that is required for oversampling, all filtering is done in the analogue domain where it is easier to retain good, wide band phase-frequency and dynamically coherent behaviour. It uses the highest grade Analogue Devices AD1865, 18Bit stereo converter chip solely because we found it to be the best sounding available (yes, even better than the 20Bit versions!).

​

The DAC1.1x/II Signature also features an abundance of upgraded components in comparison with the standard edition, including our own Audio Note (UK) Tantalum resistors in key areas.

​

The Audio Note (UK) DAC1.1x/II Digital to Analogue converter has been specifically engineered for sonic performance rather than technical specification, and fulfils all Audio Note (UK) Level 1 criteria:  

Extensive research into the fundamental properties of the data stream itself have shown beyond doubt that, regardless of the theoretical advantages of the signal manipulation employed in our competitors products, such as higher oversampling, noise shaping, re-clocking or jitter reduction, these corrective measures greatly interfere with the critical time domain requirements of the signal.

 

Music is a time continuum from start to end which when broken is irreparably damaged, and no amount of clever manipulation can restore it to its original time / frequency / amplitude duration or relationship, regardless of what the theorists may tell you. 

As a result, we have developed a way of excluding or bypassing all these corrective measures, to allow the conversion from digital to analogue to be done without any manipulation whatsoever. All we do is to reformat the data stream to allow the converter chip to be able to interpolate the incoming information correctly.

 

In other words, the Audio Note (UK) DAC1.1x has no oversampling, no jitter reduction, no noise shaping and no re-clocking. Having removed all of the digital filtering that is required for oversampling, all filtering is done in the analogue domain where it is easier to retain good, wide band phase-frequency and dynamically coherent behaviour. It uses the highest grade Analogue Devices AD1865, 18Bit stereo converter chip solely because we found it to be the best sounding available (yes, even better than the 20Bit versions!).

​

The DAC1.1x/II Signature also features an abundance of upgraded components in comparison with the standard edition, including our own Audio Note (UK) Tantalum resistors in key areas.

​

Sign up to receive news and updates.

Thank you!

Made with Squarespace